Imagining our environment: Hiroshi Sugimoto
Research for my PhD took us last weekend to the Museum of Modern Art in Salzburg and an exhibition of the work of photographer Hiroshi Sugimoto. The Japanese-born New Yorker Sugimoto has been exhibiting since 1987 and is recognised as one of the outstanding contemporary photographers. Contemporary, but using almost archaic photographic equipment and practices, such as an old 19th century large-image camera, and an army of assistants touching up the black and white prints by hand.
It is this approach, along with the subject matter, that now draws me to Sugimoto as a case study of how we ‘talk’ about - in visual and verbal languages - and therefore represent the environment.
Why the environment?
Many of Sugimoto’s images are of, or relate to, how we experience the environment, both built and ‘natural’. Some of his most arresting images are of architecture in slow exposure (blurred) focus, teasing out how great design is strengthened by reconnecting with its more impressionistic, ‘yet to be realised’ image in the architect’s mind: what the design must have first ‘felt’ like. This urge to reconnect what we experience is the present with what we have experienced in the past, either internal or external to ourselves, is central to Sugimoto’s work, and is the kernal for perhaps his most emotive and powerful work, his Seascapes. More »
